Search Results
Carolyn Horton and Associates records, 1919-1988
16.5 linear feetCorrespondence, subject files, business, personnel, biographical files and financial records. The correspondence files deal with clients: individuals, libraries, museums and book dealers. The chronological files are letters with individual clients, while the alphabetical clients files contain folders for institutional clients, and also include topical subject headings such as "Libraries""Museums", and headings for specific books and works of art. The subject files contain manuscripts, notes for seminars and lectures given by Carolyn Horton on the preservation of books and paper documents and include files on floods, particularly the 1966 flood in Florence, Italy, wet books, form letters, rubbings of books and sample paper. The business records consist of detailed worksheets arranged by client, describing condition of items bound or restored and the type of work done on these items; and complete financial records, i.e., bills, receipts, accounts and personnel records, including payroll, taxes, health insurance and other benefits, which document the operations of a bindery and paper restoration firm. The card file boxes contain details of work done arranged by artist name and by genre, i.e., music, portraits, newspapers, vellum, etc. The biographical files consist of correspondence, notebooks and newspaper clippings relating to Horton's career including her discovery that freezing wet books prevents their molding
Ian and Betty Ballantine Books and Business Records, 1935-1994, bulk 1945-1973
84 Linear FeetIndependent Literary Agents Association records, 1975-1989
3 linear feetCorrespondence, by-laws, memoranda, contracts, permission forms, reports, bank statements and other legal papers, advertising, and printed materials.
Group for Contemporary Music records, 1962-1999
10 linear feetThe Group for Contemporary Music records document the function of an American chamber ensemble dedicated to the performance of contemporary classical music, dating from 1961 to 2012. The records consist of correspondence, photographs, programs, memoranda, schedules, meeting notes, clippings, contracts, bills, financial records, fund raising and grant applications, and so on.
Siegfried Sassoon papers, 1894-1966
3 linear feetCorrespondence and manuscripts. The collection includes manuscript drafts and typescripts of two volumes of his autobiography: THE OLD CENTURY AND SEVEN MORE YEARS, 1938; and THE WEALD OF YOUTH, 1942. There are also 13 volumes of early notebooks for the period 1894 until 1909 (from age 8 to 22) containing drafts of over 200 poems, 19 short stories and many drawings. There is some correspondence about the autobiography. Also includes 21 letters from Arnold Bennett, 51 letters from Lady Ottoline Morrell, 26 letters from H.M. Tomlinson, 19 letters from Sassoon to his mother-in-law, Lady Gatty, 22 letters from Sassoon to his son, letters from many others, and a typescript of his poem "A love affair" with holograph note
Gordon Bunshaft architectural drawings and papers, 1909-1990, bulk 1950-1979
20 linear feetWilliam Bronk papers, 1908-1999
54 linear feetCorrespondence, manuscripts, audio cassettes, photographs, and printed materials. The correspondence covers the years 1934 through 1999 and consists mostly of letters to and from James L. Weil, whose Elizabeth Press was Bronk's publisher from 1969 to 1981, from Eugene Canadé, an artist who illustrated many of Bronk's books, from Bronk's sisters, and from many friends. There are also letters from W.H. Auden; Paul Auster, Cid Corman (Bronk's first publisher and founder of ORIGIN, the magazine in which many of Bronk's early poems first appeared), Robert Creeley, Samuel French Morse, Gilbert Sorrentino, and many other well-known authors. The manuscripts include notebooks and binders containing handwritten and typed drafts of poems and essays. They document nearly all of Bronk's published writings including the collection of essays he completed in the 1940s which was published in 1980 as THE BROTHER IN ELYSIUM as well as the collection of poems published in 1981 as LIFE SUPPORTS: NEW AND COLLECTED POEMS for which Bronk won the American Books Award in 1982. There are also page proofs, photographs of Bronk, many audio cassettes of Bronk reading his work in the 1970s and the 1980s and printed materials
Jerome Moross papers, 1924-2018
70.25 linear feetCorrespondence, manuscript music scores, copies of scores, playscripts, scenarios, watercolor drawings and other stage designs, contracts, legal papers, programs, clippings and other printed materials, microfilms, records, tape recordings, and photographs. Among Moross's work are the musical play, "The Golden Apple"(1954), dance music for "Ballet Ballads"(1945) and for "Frankie and Johnny"(1938), the film score for "The Big Country"(1958) and for "The Cardinal"(1963), and his Symphony No. 1 (1943). There are some financial papers and production records for the staging of his works. Among the cataloged correspondents are Aaron Copland, Agnes George De Mille, Ned Rorem, Virgil Thomson, and Thornton Wilder.
William Morris Colles papers, 1888-1928
2.5 linear feetFiles dealing with publishers, the editing of manuscripts, serial rights, copyright, translation rights, financial accounts, and the like. Among the correspondents are A.P. Graves, Thomas Hardy, Frederick T. Jane, W.E. Norris, Alfred Ollivant, John Pendleton, William H. Rideing, Hall Caine, Prince Peter Kropotkin, Marie Adelaide Belloc Lowndes, Douglas Sladden, and Mary Augusta Ward (Mrs. Humphry Ward).