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This collection belonged to an award-winning horror writer who worked for Mirage Studios (the TMNT studio) in the early 1990s, writing the TMNT newspaper strip. There is original art for never-reprinted newspaper strips (1993) complete with thumbnails, comic book manuscripts with editorial notation, story idea notebooks, minicomics produced by Mirage Studios, and manuscript materials for a host of secondary TMNT materials, including The Official TMNT Treasury. Many of the secondary materials are autographed by TMNT creators Kevin Eastman and Peter Laird.

Correspondence, manuscripts, speeches, scrapbooks, and printed materials of John B. Oakes, a prominent journalist and editor, who for many years editied the New York Times editorial page.

This collection primarily contains materials related to Percy and Harold Uris and their real estate businesses. Correspondence, financial records, and estate papers document the professional and personal lives of the brothers and their wives. The bulk of the business records are from their properties at 380 Madison Avenue and 300 Park Avenue. There is limited information about the other Uris properties and Uris Building Corporation. Finally, the collection contains records from the Uris Brothers Foundation, Inc about the family's philanthropic endeavors.

The Tharchin Collection consists primarily of correspondence, publications and drafts, photographs, daybooks and financial accounts, and autobiographical materials. The geographic coverage of the collection spans both sides of the Himalayas, in particular, the activities of intellectuals, officials, missionaries, and other historical figures in India, Sikkim, and Tibet.

Master's thesis produced by May Randall entitled "The New Negro Poet" for her degree in English from the University of Chicago in the late 1920s. The thesis examines black poets of the Harlem Riennaisance and the collection includes a photocopy of her thesis, and the original letters from 39 Dlack poets of the time, all personal correspondence with Ms Randall regarding her thesis, which she Dlanned to submit for publication. The poets include many of the leading lights: Countee Cullen, Langston Hughes, W.E.B. Du Bois, and Claude McKay, plus 35 lesser known authors. Most of the letters are giving her permission to publish their work, but they also referred her to other poets, and gave her contact information so she could include them. The letters are friendly, helpful, and enthusiastic about the idea that her thesis might become a published book.

Correspondence, manuscript music scores, copies of scores, playscripts, scenarios, watercolor drawings and other stage designs, contracts, legal papers, programs, clippings and other printed materials, microfilms, records, tape recordings, and photographs. Among Moross's work are the musical play, "The Golden Apple"(1954), dance music for "Ballet Ballads"(1945) and for "Frankie and Johnny"(1938), the film score for "The Big Country"(1958) and for "The Cardinal"(1963), and his Symphony No. 1 (1943). There are some financial papers and production records for the staging of his works. Among the cataloged correspondents are Aaron Copland, Agnes George De Mille, Ned Rorem, Virgil Thomson, and Thornton Wilder.

Correspondence, speeches, speech materials, news clippings, subject files, audio and videotapes relating to the professional activity of Arthur Levitt, Jr. The papers and audiovisual material deal primarily with his tenure as the Chairman of the Securities and Exchange Commission (1993-2001), but also contain earlier records, including some materials relating to Levitt's school years at the Polytechnic Preparatory Country Day School and at Williams College, and his work at Hayden Stone, the American Stock Exchange, and the New York Economic Development Corporation, and his advocacy of the National Endowment of the Arts during the 1991-1992 funding controversy. These papers also contain materials relating to his father, Arthur Levitt, Sr., who served for 24 years as New York State Comptroller.

The collection consists of the records of university seminars in various fields for each academic year since their establishment. A typical file will include minutes of the meetings, but there may also be supporting documentation such as correspondence, reports, or copies of papers presented at a meeting.