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The collected papers of Aaron W. Warner, former Director of the University Seminars, include his writings on domestic and foreign labor, course notes, and documents from his time at the University Seminars.

Professional correspondence, diaries, unpublished articles, lecture notes, abstracts, and other manuscripts by Mitchell. Subjects include economic theory and its history, business cycles, money, national planing, anthropology and psychology, and published material by Mitchell and others.

Correspondence, manuscript music scores, copies of scores, playscripts, scenarios, watercolor drawings and other stage designs, contracts, legal papers, programs, clippings and other printed materials, microfilms, records, tape recordings, and photographs. Among Moross's work are the musical play, "The Golden Apple"(1954), dance music for "Ballet Ballads"(1945) and for "Frankie and Johnny"(1938), the film score for "The Big Country"(1958) and for "The Cardinal"(1963), and his Symphony No. 1 (1943). There are some financial papers and production records for the staging of his works. Among the cataloged correspondents are Aaron Copland, Agnes George De Mille, Ned Rorem, Virgil Thomson, and Thornton Wilder.

43 documents on vellum.

These papers relate to her governmental activities and provide an important documentary record of her career to 1950. Included are mimeographed and typed copies of minutes of the various committees upon which she served, city bills and other municipal legislation, correspondence, memoranda, notes, etc. Earle family papers have been added. There is also a microfilm copy of Asher William Schwartz's A STUDY OF THE NEW YORK CITY COUNCIL