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A collection including World War I posters issued in France. 1) Auguste Leroux: "3-e Emprunt de la défense nationale."; 2) Maurice Neumon: "Journée du Poilu."; 3) Georges Redon: "Emprunt national, Société générale."; 4) Th. Steinlen: Poster for the book PENDANT AU'ARSENE SE BAT by Cyril Berger, serialized from February 1918 in LE PAYS; 5) Tel: "L'emprunt des 'Derniéres cartouches.'"; 6) Charles Fouqueray: "Journée de l'Armée d'Afrique et des Troupes Coloniales." 1917

A collection, assembled by Dutch businessman Maurice Frankenhuis (1893-1969), consisting primarily of World War I posters, and in addition, post-war political and international pacifist movement posters, merchandise and motion picture advertisements, post-war anti-German propaganda, and war-related kindness to animals (horses) posters. Approximately half of the posters ate illustrated and half are textual; there are a few examples of handwritten, hand-lettered, or hand-painted posters. The general topics include: calls for money (war loans, subscriptions, war savings stamps, etc.), war material exhibitions, ordinances, war news (including battles such as Verdun, the French call for mobilization, victories such as the fall of Warsaw, the U.S. entry into the war, etc.), maps, propaganda, plans for the post-war world, recruiting appeals, Red Cross appeals, etc. The majority of the posters are German, for domestic consumption or for the people in the occupied parts of Belgium, France, and Russia. The nations whose posters are represented include: Australia, The Austro-Hungarian Empire, Belgium, Canada, France, Great Britain, India, Italy, the Netherlands, Romania, Russia, South Africa, and the United States. The languages used include: Arabic, Bengali, Bulgarian, Czech, Dutch, English, Estonian, Finnish, Flemish, Franch, German, Gujarati, Hindi, Hungarian, Italian, Japanese, Latvian, Lithuanian, Madrasi, Polish, Romanian, Russian, Serbian, Slovak, Spanish, Turkish, Urdu, and Yiddish

A collection consisting primarily of World War II posters issued in the United States, Great Britain, Russia and in Germany during the Allied occupation. In addition, there are United Nations posters and a few issued in Canada, France, Holland and Poland

A collection consisting primarily of World War I posters issued in the United States and Russia.

A series of numbered Russian war posters issued by the Soviet news service, TASS. An English translation of the poster's titles, texts, authors, and artists are listed by the Tass number in a separate loose leaf binder

A group of 45 Soviet World War II posters. These posters were part of a numbered series of 1,250 produced as wartime art and propaganda by the Tass Window Collective in Moscow. The collection is believed to have been acquired from the Rockwell Kent Estate

These files have been compiled by the Rare Book and Manuscript Library from its origin in 1930 through the present day. The material derives largely from gifts, and the occasional purchase; much of the subject file in particular is made of ephemera included in the American Type Founders, Co. Library, purchased in 1942. Prospectuses and information sent by fine presses and book artists are added to the relevant files in an ongoing fashion. The files cover subjects from the beginning of printing to the current day.

Correspondence, manuscripts, documents, photographs, article, essays, exhibition catalogs, printed material, and 9 floppy disks of her research on artsits and art in Vichy France, as well as Max Jacob, the French poet, painter, writer, and critic.

Contain first drafts of his writings, correspondence related to his personal and professional life (including exchanges with Tom Wolfe and Edward R. Murrow, among others), as well as posters, original arwork, multiple binders of CBS advertisements, and other visually interesting documentation of his career.