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Manuscripts of Maltz, including the notes, drafts, and typescripts for numerous short stories and for the novels, THE CROSS AND THE ARROW, THE UNDERGROUND STREAM, THE JOURNEY OF SIMON MCKEEVER, A LONG DAY IN A SHORT LIFE, and A TALE OF ONE JANUARY. Also, THE CITIZEN WRITER IN RETROSPECT, a two-volume oral history of Maltz done by the University of California, Los Angeles.

Research notes, transcripts of interviews with Steffanson, correspondence, clippings, and other biographical materials deals with all aspects of Steffanson's life including his early career in America after 1909, the Swedish and Canadian paper, wood pulp, and cellulose industries, cultural and social life and New York real estate in the 1920's, his excape from the "Titanic" in 1912, and genealogical notes on the family of his wife, Mary Pinchot Eno.

The Oral History Research Office microfiche contains 1165 interviews and the Annual Reports of the OHRO from 1948-1975. The microfiche was published in six segments, the first being published in 1973 and the last in 1988. Microfiche was initially manufactured and sold by the Microfilming Corporation of America (MCA) and then by Meckler Publishing.

Miscellaneous papers relating to the memoirists who were interviewed by the Oral History Office. Included are original papers, printed materials and microfilm copies of materials not retained by Columbia. One half of the collection consists of original notes, draft transcriptions, related correspondence and documents related to the Radio Pioneer Project. Of those papers only available on microfilm, about one-third have a list of contents

The Columbia Armenian Oral History Archive is an important collection of audio and video recordings of first-person accounts of the early and recent experiences of Armenians, recorded after they had immigrated to the United States. The collection consists of 138 interviews in Armenian, English, and Turkish languages with immigrants conducted by Vazken L. Parsegian during the 1950s and 1960s, focusing largely on the survivors' memories of their personal experiences of the abduction, deportation, imporisonment and massacre of Armenians and the destruction of Armenian communities under the Ottoman Empire in the first decades of the Twentieth century. The testimonies also recount the early formation of Armenian communities in various cities of United States and socio-economic conditions. The collection is comprised of 210 hours of sound recordings in the following formats: magnetic tape reels, compact cassettes, and WAV files and compact disks representing the content of the original tapes.

The majority of the collection's interviews were taken by Gail Mary Killian and document her life in the 1970s-1980s as a woman living with Down syndrome in Eastern Massachusetts. Killian recorded her birthday starting in 1970, and many recordings capture the conversations that took place at these celebrations, which were attended by family members and neighbors. Topics discussed at these parties include music-related gifts received by Killian; rock music and Polish folk music; television shows and movies; employment opportunities for people with disabilities in the region; work at the United States Postal Service (her father's employer); and happenings in their local community. The family also sings together, both in English and Polish. Also included are recordings made by Killian during her daily life. Killian was an avid music fan, and she records thoughts on rock bands such as the Beatles, Journey, and Van Halen. Portions of the local New Bedford, MA radio program "Polish Happy Hour" are captured on tape.

The Cuban Voices oral history collection is comprised of interviews conducted for the project of the same name. The project resulted in the publication of Elizabeth Dore's book How Things Fall Apart. The interviews are intended to engage in conversations with Cubans who lived through the transition to communist rule after the Cuban Revolution and experienced events of the following decades. The goal of the project, led by Dore, was not to interview people who have established themselves as public or political figures after the Revolution, but rather to generate a dialogue with ordinary citizens whose narratives do not appear in conventional narratives. Most of the interviewees, then, are not prominent personalities. They are professionals, campesinxs, teachers, sex workers, state employees, cooks, messengers, and people working illegally, among others.

The Oral Histories collection is made up of audio recordings, videotapes, and transcripts of interviews conducted by Foundation members. The oral histories document the life and activities of Frank Lloyd Wright and the Taliesin Fellowship. Interviewees include apprentices, clients, family, friends and acquaintances, scholars, associates, and other architects.