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This small collection consists of 3 letters between Herbert Jacobs and Frank Lloyd Wright concerning Jacobs' upcoming book We Chose the Country. The letters document a strained relationship between the architect and his former client, with the architect expressing disastifaction with how he is portrayed in Jacobs' publication.

Collection of letters and telegrams centered around the remodeling of a house called "Dunlora" aka Merry Hill, located at 8605 Park Heights Avenue in Pikesville Maryland. The house was built for Robert Brent Keyser in 1899 by the firm Hoppin and Koen of New York. The remodeling was done by American architect Grosvenor Atterbury. The vast majority of the letters are between Atterbury (and his firm) and Robert Brent Keyser. They describe various plans and issues surrounding the remodeling of the house. A few letters discuss construction at the Homewood campus of Johns Hopkins University. Some of the other names mentioned in the letters are J.L. Marshall & Son (the builders), Mr. Sperry, Judge Harlan, Morgan-Harjes, Mr. Manly, and Charles E. Reeder.

This collection contains materials related to a full range of Blake's personal, professional, and academic lives. The bulk of the collection dates from the 1980s through the early 2000s. His professional and faculty papers document many of his interests, and primarily include published and unpublished lectures and articles. Although Blake delivered his lectures at various architectural schools in the United States and abroad, the specific locations of the lectures are not usually recorded on the documents. In addition, many articles he wrote for publication appear as annotated typescripts. There are also significant papers related to publication of his memoir No Place Like Utopia (Knopf, 1993), including correspondence and some production records. Throughout the professional and faculty papers are also found a large number of reference files relating to modern architecture, art, design, urbanism, technology, and current events, compiled over many decades. The collection also contains correspondence with personal friends, clients, and professional and academic colleagues. There is an especially significant amount of correspondence and clippings related to Patwant Singh, a Sikh writer, commentator, journalist, editor, and publisher, with whom Blake was a close friend. There are also many materials including correspondence, typescripts, and book production records related to Philip Johnson and Paul Rudolph, with whom Blake was also close. Architectural project records include original and reprographic drawings and photographs for 40 residential and institutional designs, located primarily in New York City and the surrounding region. Of particular note are drawings and papers related to Blake's important Pin Wheel House (1954) in Water Mill, New York. In addition, there are drawings related to the American National Exhibition in Moscow (1959). Finally, there is a significant number of drawings, photographs, and correspondence related to the Benjamin Gerson Residence (1999-2003) in Johnsonburg, New Jersey, one of Blake's last architectural projects.

There are over 10,700 photographic items in the Frank Lloyd Wright Foundation Archives related to Frank Lloyd Wright's personal life and the Taliesin Fellowship. This collection also includes portraits of Wright and his family members. Contact the department for further information.

Includes the publications of, and much correspondence about, the American Institute of Architects, as well as other organizations affecting the architect; copies of bills and correspondence about legislation affecting architectural practice; obituaries of architects, and certain material dealing with the World War, besides some personal correspondence and memorabilia.

Architectural drawings, specifications, manuscripts, printed materials, photographs, ephemera, collected by Hitchcock, and relating to the work of architects Henry Hobson Richardson and Frank Lloyd Wright, including a letter, 1940, from Wright to Hitchcock suggesting the writing of IN THE NATURE OF MATERIALS; the architectural firm Shepley, Rutan, and Coolidge; furniture designer Charles Rennie Macintosh; and miscellaneous and unidentified architects dating from the sixteenth century to the twentieth century, with the bulk dating from the nineteenth century.

This collection includes over 300 film reels which have been digitized. By format, the collection contains 179 16mm film, 109 8mm film, and 17 35mm film. While the inclusive dates of the collection range from 1922 to 1984, the bulk of the films are from the 1930s into the 1960s. Footage includes home movies of Wright and family, life and events of the Taliesin Fellowship, and informal site and building visits. The collection also includes documentaries on Wright's career and projects, as well as professional produced interviews and talks by Wright and promotional coverage of his built works.

This collection is photograph archive of the works of architectural photographer George Cserna. Images include interior and exterior shots of prominent New York buildings primarily during the 1960s. The collection has been arranged alphabetically by the client or architect of the building. Some of George Cserna's most notable work in this collection includes photographs of Ulrich Franzen's Agronomy Building, Emerson Hall, and Goddard Library at Cornell University; Haines, Lundberg, and Waehler's U.S. Trust Building and Schering-Plough Headquarters; Victor Lundy's I. Miller Store and IBM Headquarters; and I. M. Pei's John Hancock Tower, Mount Royal Bank and Ville Marie Complex, and MIT Chemistry Building. The collection also contains photographs of exhibitions and openings at the Museum of Modern Art in the 1960s and 1970s, such as The Responsive Eye and Toward a Rational Automobile. Finally, the collection has photographic portraits of notable persons including John dos Passos, W.H. Auden, and William Faulkner.