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Columbia University Library Office files, 1890-1998

48.37 linear feet
Abstract Or Scope
The office files of the University Librarian's Office of Columbia University Libraries, 1889-1948, are composed is composed chiefly of correspondence sent and received between Columbia University Librarians, library staff, Columbia University administrators, and outside individuals and organizations, as well as related reports, budgets, as well as related reports, budgets, and administrative material concerning the history of the library.

Peter G. Stafford papers, 1960-1971

49 boxes
Abstract Or Scope

Papers of Stafford, reflecting a wide interest in psychedelic drugs, other drugs, and all aspects of the youth culture of the 1960s. Among the manuscript materials are drafts for chapters in his books, case histories, some correspondence, and materials showing the workings of the underground press. There are clippings, pamphlets, and books of both technical and popular interest.

2 results

American Institute of Graphic Arts (AIGA) ephemera, 1923-2023

11 Linear Feet
Abstract Or Scope

Posters, catalogs, book covers, printed materials and ephemera related to the AIGA book collection (winners of the American Institute of Graphic Artists awards known as "The Fifty Books of the Year" from 1923 to the present)

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Martin Mayer papers, 1954-1980

111 boxes
Abstract Or Scope

Papers covering Mayer's literary activities from approximately 1954-1983 and his versatile interests in music and recordings, the financial world, the advertising business, the legal profession, and public education. The collection includes his notes, interviews, drafts, manuscripts, typescripts, proofs, reviews, correspondence, and clippings for THE SCHOOLS; THE LAWYERS; MADISON AVENUE, U.S.A.; EMORY BUCKNER; DIPLOMA; WHERE, WHEN, AND WHY: SOCIAL STUDIES IN AMERICAN SCHOOLS; as well as several hundred essays published in ESQUIRE, HORIZON, the SATURDAY EVENING POST, and other magazines. Also, material dealing with Mayer's books on banking, television, music, and housing, and with his continuing interest in education and the New York City school system; and diplomacy and his Sloan Foundation study on cities and universities.

Random House records, 1925-1999

702 linear feet
Abstract Or Scope

The collection consists of the editorial and production archives of Random House, Inc. from its founding in 1925 to the 1990s. The correspondence and editorial files include many of the prominent novelists and short story writers from 20th-century American and European literature: Saul Bellow; Erskine Caldwell; Truman Capote; William Faulkner; Sinclair Lewis; André Malraux; Gertrude Stein and Thornton Wilder. Among the poets there are files for W. H. Auden; Allen Ginsberg; Robinson Jeffers; Robert Lowell; and Stephen Spender. In the area of theater there are files for Maxwell Anderson; Moss Hart; Lillian Hellman; Eugene O'Neill; and Tennessee Williams. Random House transacted business with many fine presses and noted typographers and the archives contain files for Nonesuch Press, Grabhorn Press and Golden Cockerel Press, as wll as for Bruce Rogers, Valenti Angelo, and Edwin, Jane, and Robert Grabhorn.

Manuel Komroff papers, 1897-1979

23 linear feet
Abstract Or Scope

Correspondence, manuscripts, photographs, and printed materials. There are manuscripts for his books, short stories, articles, and other writings. The printed materials include books written, edited, and translated by Komroff, as well as his contributions to anthologies and periodicals. There are also a number of books by other authors inscribed to him. Most of the photographs are portraits of literary figures, the majority of which were taken by Komroff.

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Alfred M. and Clarisse B. Hellman - D.H. Lawrence collection, 1850-1952

14 boxes
Abstract Or Scope

The collection of D.H. Lawrence material contains two book-length manuscripts, the typescripts of Sea and Sardinia and The Boy in the Bush, both with manuscript corrections in Lawrence's hand. The typescript for The Boy In The Bush is probably the manuscript from which the book was printed. Other Lawrence manuscripts include "The Future of the Novel," and Chapter 13 of Aaron's Rod. Correspondents include Thomas Seltzer, Johathan Cape, Mrs. Nancy Henry, and Lady Ottoline Morrell. The collection also contains three watercolor drawings made by Lawrence for the jacket of the English edition of The Plumed Serpent. Related printed material is also included. The John Steinbeck material is comprised of one letter, and proofs for thirteen of Steinbeck's works, including East Of Eden and Of Mice and Men. Also included are a printed biography and photographs, and printed ephemera relating to many of Steinbeck's works. There are books inscribed to Alfred and Clarisse Hellman. This collection also contains some correspondence of Alfred Hellman and some letters collected by Dr. Morton Pepper.

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Roger Taft Comics Collection, 1946-2007

1 linear foot
Abstract Or Scope

A collection of a veriety of comics, including Mad Magazine and Zap, as well as individual artists, including R. Crumb, Gilbert Shelton, and S. Clay Wilson.

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Teenage Mutant Ninja Turtles collection, 1981-1998

4.5 Linear Feet
Abstract Or Scope

This collection belonged to an award-winning horror writer who worked for Mirage Studios (the TMNT studio) in the early 1990s, writing the TMNT newspaper strip. There is original art for never-reprinted newspaper strips (1993) complete with thumbnails, comic book manuscripts with editorial notation, story idea notebooks, minicomics produced by Mirage Studios, and manuscript materials for a host of secondary TMNT materials, including The Official TMNT Treasury. Many of the secondary materials are autographed by TMNT creators Kevin Eastman and Peter Laird.

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Nancy Friday Papers, 1950-2010

35.31 Linear Feet
Abstract Or Scope
Nancy Friday was an author and pop psychologist active from the early 1970s into the 2000s, whose work dealt with women's sexuality, gender roles, and family dynamics. She was known for her unabashed discussion of challenging topics, especially taboo sexual fantasies, and her insistence on showcasing women as autonomous sexual beings; Friday often faced backlash for her writing from feminists and conservatives alike. Most of the materials in the Nancy Friday collection cover her adult and professional life from 1970-2000s, including some materials from her early life and adolescence. In addition to the hundreds of letters sent to Friday about people's sexual fantasies, the collection also includes professional correspondence with publishing houses, book drafts, contracts, and recorded interviews.
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