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Professional and personal papers containing correspondence, manuscripts (chiefly typescript versions, many with holograph corrections), documents, photographs, memorabilia, newspapers clippings, printed materials, and some art work. The letters cover his professional, personal and family life. Among the significant correspondents are Orvil E. Dryfoos, James B. Reston and the Sulzberger family. The majority of the papers consist of Alden's manuscripts for his articles and editorials written for the "New York Times." There are some articles that were submitted to various magazines, as well as copy under the pseudonym, Carlton (Tubby) Belmont, written for the Women's news Service. Alden's "Times" writings deal with the New York metropolitan area, the 1963-64 World's Fair, France, Cuba, Southeast Asia, Ships, and the United Nations. In addition there are manuscripts of his stories, novels and poetry. The stories and novels deal with reporters, politics, war and show business. Alden's personal papers and documents relate to his years at City College and in the Army and contain other personal items. Also included is a typescript copy of his autobiography. The newspaper clippings and printed matrerials are mostly of his writings. There are numerous photographs as well as more than one box of memorabilia.

Correspondence, memoranda, manuscripts, documents, photographs, printed material, and memorabilia of Ascher. Also, his notes and diary/datebooks, as well as typescripts for many of his reports, articles, and reviews. Among the major correspondents are Roger Nash Baldwin, Mary Steichen Calderone, Julian Huxley, Margaret Mead, Jo Mielziner, Lewis Mumford, Alva Myrdal, Edwin Herbert Samuel (2nd Viscount Samuel), Percy E. Sutton, and Constantine D. Tsatsos.

This collection contains approximately 5,500 photographic prints and 12,400 negatives taken and used by the Spectator. The photographs consist of black and white, silver gelatin prints and 35mm negatives. The bulk of the images are portraits, with many press photographs provided to the newspaper by outside sources. Not all prints have corresponding negatives. Photographs were filed together by name so that several views can be found in one folder. The original folder-level description was maintained.

Collection of visiting cards of musical artists (composers, vocalists, conductors, etc.) and authors, presidents, and other celebrities of the 19th and 20th centuries, most bearing handwritten messages. There are also photographs and other memorabilia.

Correspondence, manuscripts, speeches, scrapbooks, and printed materials of John B. Oakes, a prominent journalist and editor, who for many years editied the New York Times editorial page.