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Office of Public Affairs Photograph Collection, 1947-2016

138.80 linear feet
Abstract Or Scope
This collection is a combination of several different accessions of prints, negatives, contact sheets, color slides and digital files that were created by the University Photographer and others in the Columbia University Office of Public Affairs. The collection documents many events held on campus (e.g., commencement, homecoming, 1968 protests), the Morningside campus, individuals (faculty, student athletes), and sporting events.
1 result

Curtis Brown Ltd. records, 1914-2018

1745 linear feet
Abstract Or Scope

The files of Curtis Brown, Ltd. literary agency include correspondence with authors, publishers, and other agents and deal with the editing and publishing of trade and textbooks, serial rights, reprints, dramatic rights, translations and foreign rights, promotion and copyright registration. For each author there are contracts, royalty statements, tax statements, and other financial materials. There is also a contract file, including cancellations and related correspondence, from 1914 to 1988. Among the cataloged correspondents are: Louis S. Auchincloss, W.H. Auden, Erle Stanley Gardner, Robert Graves, Ogden Nash, Ayn Rand, and Sloan Wilson.

William Goldman papers, 1949-1997

115 linear feet
Abstract Or Scope

Correspondence, manuscripts, notes, drafts, photographs, tapes, clippings, printed material, and memorabilia covering the career of William Goldman.

3 results

Paul Jarrico papers, 1914-2014

44 linear feet
Abstract Or Scope
Paul Jarrico (1929-1996) was a Hollywood screenwriter working in the studio system in the 1930s and 1940s. A lifelong communist, he was subpoenaed before the House Committee on Un-American Activities in 1951. His refusal to comply with the Committee's questions saw him lose his job at RKO and placed on the so-called Hollywood "Blacklist." His films were marked by their marriage of art and politics, often commenting on the pressing issues of their time. Notably, his 1954 film Salt of the Earth, a collaboration between blacklisted filmmakers and the International Union of Mine, Mill and Smelter Workers, was regarded as a subversive critique of mid-century American capitalism.
3 results

Screenwriting lectures and notes, 1939, 1941-1942, 1944, 1946, 1948-1949 Box 78, Folder 2

Lawson dinner script, 1955 Box 33, Folder 5

Lawson brochure (copy), 1953-1955 Box 33, Folder 4

Barney Rosset papers, 1841-2011, bulk 1935-2011

69.42 linear feet
Abstract Or Scope

The material in this collection was originally housed in binders in Barney Rosset's New York apartment, and cover his personal and professional endeavors as a radical publisher, intellectual, and overall man of letters. It consists of writings, letters, photographs, interviews, films, catalogs, publishing files related to both Grove Press and Evergreen Review, and extensive biographical information on Rosset. The entire collection has been rehoused into archival quality boxes and folders. Each binder had been labeled, generally with some sort of topical or chronological designation. In most cases the binder labels will be retained as file titles, and the subdivisions within binders have become folders and retained, to a great extent, the titles assigned to them by the creator. In some cases the staff of the RBML altered or elaborated on existing folder titles for general clarity and ease of research. In some cases, the collection contains both original and typed (or transcribed) copies, the latter often taking the form of computer printouts that were originally held in binders marked "Master" or "Master Disk" to indicate their contents were on computer disks. These original binder titles have been kept throughout the finding aid.

1 result

The Makino Mamoru Collection on the History of East Asian Film, 1863-2015, bulk 1920s-1990s

370.11 linear feet
Abstract Or Scope
Over the course of fifty years, the former documentary filmmaker Makino Mamoru (1930-) developed an extensive collection on the history of East Asian film, which covers the history of Japanese cinema spanning over a hundred years. The collection as a whole contains approximately 80,000 items, and focuses on print materials. The materials cover various film events and festivals across multiple genres of films: experimental films, educational films, documentary films, news films, amateur films, and animated films, among many others. The collection contains books, correspondences, handbills, magazines, manuscripts, newspapers, notes, photographs, postcards, posters, scripts/scenarios, slides, glass plate negatives, video cassettes, and other printed materials.
Top 3 results view all 13

Subseries V.3: Other Screenwriters/Directors, 1926-1964 mostly undated, 1926-1964

Subseries I.9: Matsubayashi Shūe/松林宗恵, 1920-2009

Subseries I.7: Kurosawa Akira/黒澤明, 1910-1999

Albert Goldman papers, 1953-1994

225 linear feet
Abstract Or Scope

The papers consist of correspondence, diaries, journals, interviews, manuscripts, transcripts, and printed material.

1 result

Andrew Alpern Collection of Edward Gorey Materials, 1954-2019

21.5 linear feet
Abstract Or Scope
A collection of original artwork, published books, printed ephemera, and branded merchandise by the writer and artist Edward Gorey (1925-2000), assembled by Andrew Alpern.
1 result

Scenario: The Magazine of Screenwriting Art, Vol. 4 No. 1, 1998 Spring Box 15, Folder 8, Item 387

John Erskine papers, 1890-1951

40 linear feet
Abstract Or Scope

Correspondence relating to Erskine's various educational, musical and literary interests; manuscripts of his writings; lecture notes for college courses; souvenirs of his army service in World War I and his Columbia University professorship, and student papers from his own school and college days. Also, biographical file, scrapbooks, and articles.

1 result

Alvah Cecil Bessie letters, 1976-1984

0.5 linear feet
Abstract Or Scope

The collection consists of 38 letters from Bessie to his friend, Loretta Frances Fokes Lish, about his life, political views, current writing, and Gordon Lish.

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