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The incoming correspondence of Vanderpoel, containing letters from friends, clients, and colleagues and dealing with personal and legal matters. Correspondents include Henry M. Alexander, William Allen Butler, John P. and William V. S. Beekman, G. W. Bulkey, Joseph H. Choate, Frederic R. Coudert, Lewis L. Delafield, Jay Gould, William D. F. Maurice, Edward Pierpont, J. Bryce Smith, John Van Alen, John and Thomas Van Buren, and Henry Vanorden. Letters of a personal and business nature from various family members include several from Aaron and John Vanderpoel and Lewis Oakley, his uncles, and from Henry C. Van Schaack, his father-in-law. There are approximately twelve manuscripts of essays and speeches by A. J. Vanderpoel while he attended Kinderhook Academy and New York University, as well as a few by other family members. Various documents including mortgages, deeds, indentures, agreements, and court records relate to Vanderpoel's law practice and to family property.

The collection consists of 2,924 photographs and 1,327 drawing reproductions of architectural projects by the firm of John Russell Pope, and later Eggers & Higgins.

Arranged by location and address, the collection consists of appraisal reports, pamphlets, broadsides, financial communication, plans, diagrams and occasionally photographs for prospective or acquired Durst Organization properties. Two linear feet of files are for properties outside of New York City.

Files of the company, 1911-1920, much of which consists of unsucessful architectural bid documents, each noting the architect, building, and location, as well as estimated costs, sketches, and related correspondents. These bid documents represent commissions not awarded to NYATCC, and do, in some cases, indicate the outcome of the bid. Architects represented include McKim, Mead & White; Cass Gilbert; George Post; D.H. Burnham & Company; Warren & Wetmore, Schwartz & Gross, and many others. Also includes correspondence and office memoranda, including some describing the formative years, 1911-1914, of the National Terra Cotta Society, trade catalogs, and job photographs. Also, two albums containing photographs of sample pieces of terra cotta, and month by month construction records for three buildings, including the American Theater (42nd Street, New York, 1892) by Charles Coolidge Haight; the Renaissance Apartments (Brooklyn, N.Y., 1889) and the Imperial Apartments (Brooklyn, N.Y., 1890) both by Montrose Morris.

The architectural drawings found at "Natirar" at the time the property was acquired by Somerset County, in 2003, include those relating to the original designs by Guy Lowell and Henry J. Hardenbergh between 1910 and 1912, and those relating to the alterations and renovations made in the late 1940s under the direction of York and Sawyer. The drawings are organized by architect, which, in effect, also organizes the drawings by date ranges. Drawings that bear the names of various subcontractors have been organized by subcontractor but are filed with reference to the relevant principal architect. In addition to the drawings pertaining to "Natirar," the collection includes copies of three drawings by architect William Hanford Beers (1856-1932) of the "Gedney Farm" residence of Howard Willets and Mary Macy Willets at White Plains, New York, which was constructed circa 1898 (see photographs of the Willets residence in the July 1901 issue of The American Architect and Building News). William H. Beers' wife, Alice Macy, was a first cousin once removed to sisters Mary Macy Willets and Kate Macy Ladd.