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Correspondence, lecture notes, and drafts and manuscripts of his numerous articles, essays, and books.

Materials include correspondence and e-mail communications, mission reports, testimonies and interviews, addresses and contact lists, confidential interoffice memos, legal and advocacy material, internal planning and policy material, declassified government and United Nations documents, published and unpublished human rights reports from individuals and fellow NGOs, press clippings and news releases, and maps. Another category of documents consists of HRW reports and briefing papers, as well as press releases and open letters to heads of state, governments and various government agencies.

This collection contains audio recordings of Fellowship talks delivered by Olgivanna Lloyd Wright to members of the Taliesin Fellowship nearly each week, usually on Sundays organized chronologically from 1952-1984. These talks continued a tradition begun by Frank Lloyd Wright; they similarly cover a range of topics from Frank Lloyd Wright's Organic Architecture (often read from transcriptions of his Fellowship talks) to the daily activities of the Fellows. Many include her reading from poetry and philosophy and her own theories on moral character and the ethics of hard work. The collection also includes other talkes, speeches, and interviews with Olgivanna Lloyd Wright.

Papers of Stafford, reflecting a wide interest in psychedelic drugs, other drugs, and all aspects of the youth culture of the 1960s. Among the manuscript materials are drafts for chapters in his books, case histories, some correspondence, and materials showing the workings of the underground press. There are clippings, pamphlets, and books of both technical and popular interest.

These book manuscripts include the corrected typescripts of: "Analytical philosophy of action" (Cambridge University Press, 1973); "Analytical philosophy of knowledge" (Cambridge University Press, 1968); "Jean-Paul Sartre" (New York, Viking, 1974) with a.ms. & galley proofs; and "Nietzsche and morality" (New York, Macmillan, 1965).

A collection of notes and manuscript drafts of studies made by Rood, concerned with the theory and practice of painting, art criticism, esthetics, and related subjects. Some of the results of these studies were published in 1941 under the title, COLOR AND LIGHT IN PAINTING.