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A. Doak Barnett papers, 1929-2010, bulk 1940-1999

92 linear feet
Abstract Or Scope
The Arthur Doak Barnett Papers consist of personal and professional documents created and amassed by a leading scholar and government advisor on United States-China policy and relations in the 20th century. Barnett wrote, co-authored, or edited more than 20 books on China and Asia. His papers chronicle his academic, reporting, and government careers, plus his writings and travels throughout Asia and China from the 1940s through the 1990s.

Vasilii Petrovich Nikitin Papers, 1859-1960

5000 items
Abstract Or Scope

The papers consist of correspondence, manuscripts, notes, documents, photographs, subject files, and printed materials. Among the correspondents are Louis Marin, Mikhail Osorgin, Alekseĭ Remizov, Boris Ubegaun, George Vernadsky, and the "Eurasianists" Petr Savitskiĭ and Petr Suvchinskiĭ; there is one letter from Nikolaĭ Marr. There is the manuscript of Nikitin's memoirs, "Arabeski: pochemu i︠a︡ stal vostochnikom?" There are extensive notes of lectures by Nikolaĭ Berdi︠a︡ev in 1925. Numerous photographs date from Nikitin's service in Iran. Subject files concern the Eurasian movement (evraziĭstvo), and the Committee "For Return to the Homeland" ("Za Vozvrashchenie na Rodinu"). Printed materials largely consist of Nikitin's own writings.

1 result

Charles Rockwell Lanman letters, 1916-1937

0.5 linear feet
Abstract Or Scope

The collection consists of 25 letters between C.R. Lanman and his colleagues and former students concerning the study of Sanskrit. There are letters from Franklin Edgerton, J.D.M. Ford, F.P. Graves, C.N. Greenough, G.C.O. Haas, Samuel Hill, A.B. Keith, C.T. Keller, Truman Michelson, Walter Miller, O.H. Mott, W.L. Phelps, G.A. Reisner, Karl Ruprecht, J.M. Stahl, and Fiske Warren.

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Institute of Pacific Relations records, 1927-1962

232 linear feet
Abstract Or Scope

The office files of the American Institute of Pacific Relations and the international Institute of Pacific Relations, containing correspondence and reports concerned with international conferences, research programs, and publications programs of both Institutes, and relating to the political, economic, and social problems in eastern and southern Asia and the South Pacific, as well as with problems of American foreign policy. There are many travel letters and on-the-spot reports relating to conditions in China, Japan, Russia, Australia, the Philippines, India, and Pakistan during the period 1933 to 1954.

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Central Files (Office of the President records), 1890-1984

927 linear feet
Abstract Or Scope
Central Files is composed chiefly of correspondence sent and received between Columbia University administrators and other University officers, faculty, and trustees, as well as correspondence sent and received between University administrators and individuals and organizations from outside the university.
1 result

Jackson, A. V. Williams, files, 1890-1933. (2 Folders), 4/1890-11/1933 Box 328, Folder 18 to 19

Serge Prokofiev Archive, 1917-2012

294 linear feet
Abstract Or Scope
Serge Prokofiev (1891–1953) was a Russian and Soviet composer, pianist and conductor, and seminal figure in the history of twentieth-century music. The Serge Prokofiev Archive (SPA) contains 58 original music manuscripts and over 10,000 letters and documents primarily from 1918-1936, the years Prokofiev spent in the West. The SPA also includes an expansive collection of music manuscript copies, published scores, concert programs, scholarly books and articles, photographs, and audio and video material, making it the premier research collection for studying Prokofiev's life, work and legacy.

Leyna Gabriele papers, 1940-2016

19.5 Linear Feet
Abstract Or Scope
Leyna Gabriele (1924-2019) was an American operatic soprano, director, pedagogue, producer, socialite, and restaurateur, known for creating the title role in Douglas Moore's opera The Ballad of Baby Doe. Her association with the restaurant Chez Vito placed her at the heart of New York City's social scene, while her collaborations with the Masterworks Laboratory Theater brought techniques from Method acting to New York City's local opera scene.
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