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The Edith Schloss Burckhardt Papers offer an extraordinary opportunity for research into multiple areas of scholarship, especially unique insight into the lives and experiences of women in the art world, an American artist's expat life in Rome from the 1960s-2010s, the New York School of painters and poets, and a particularly rich and far-reaching, vein of the avant-garde and experimental music world, to name a few.

Music manuscripts, letters, and related items collected by Hunt. Most of the items are of American origin, and reflect Hunt's wide-ranging interests in sacred and secular music. The music manuscripts include sheet music for vocal and instrumental scores, part-books, bound orchestral scores, and miscellaneous music volumes. The collection is particularly strong in hymn scores, verses, and studies. Also, a box of material relating to Stephen Foster.

Five volumes of typescript poems by contemporary poets including four volumes of poems by Donald Bain of Buffalo, N.Y., and one volume of miscellaneous poems in typescript which were submitted for sale or for use on radio programs. Also, seven music manuscripts, songs by Bernice Ward Stockland of St. Albans, N.Y.

Printed books and music manuscripts of the Ephrata Cloister. Manuscripts 1-6 are printed books by Johan Conrad Beissel (1690-1768) some with manuscript musical notation. Manuscripts 7-12 are volumes of manuscript musical notation of melodies for hymn texts in various printed books. Most of this collection relates to Beissel's DAS GESÄNG DER..TURTEL-TAUBE, 1747.

Typescripts, manuscript drafts, handwritten scores, notes, and other papers for Harbach's musicals. Manuscript and typed drafts and notes of Harbach's memoirs. Correspondence, legal documents, and financial records regarding personal and professional issues. Playbills, newspaper clippings, magazine articles, photographs, and other materials about his career. Also song sheets of other composers works, several with inscriptions and autographs.

Correspondence, manuscripts, documents and printed materials chiefly concerning members of the Koziul'kin and Butskovskii families, specifically Nadezhda Aleksandrovna Koziul'kina, nʹee Butskovskaia, her husband, Ippolit Arkad'evich Koziul'kin and her grandfather, Mikhail Andreevich Butskovskii, the governor of Lublin province 1860-1880. The cataloged materials, in an album, include notes, autographs and music manuscripts of such individuals as Mattia Battistini, Aleksandr Glazunov, Jules Massenet, Anna Pavlova and Edouard do Reszke. The correspondence consists of personal letters to members of the Koziul'kin and Chivilev families as well as business correspondence from the 1860-1881 period concerning M. A. Butskovskii's real estate affairs. The documents include a variety of official birth, death, marriage and graduation announcements; awards given to I. A. Koziul'kin in both St. Petersburg and at the Russian Embassy in Teheran; contracts; insurance forms; military orders (1884) and reports (1878); real estate documents and I. A. Koziul'kin's service records. The printed materials deal primarily with financial affairs (such as accounts from the Governor General of Warsaw, 1898-1901) and real estate matters associated with M. A. Butskovskii's entailed estate, "Raets," in Radom province, including "Maioraty v tsarstve pol'skom" (1911).

Manuscripts of musical scores, memorabilia and photograph. Folder 1 of the collection includes a general index (d. March 1945), photograph, awards, 5 citations, and a biographical sketch. His musical compositions (folders 2-26) are divided in three major categories: sacred and non-sacred vocal music, and musical compositions for instruments. His sacred choruses for mixed voices has been highly praised. His non-sacred vocal music seems to deal with children, nature, and poetic topics; also included are arrangements of Stephen Foster's songs for choruses. Among his musical compositions for instruments are some with Caribbean or West Indian themes

The collection consists of three manuscripts by Bela Bartok, 1940-1943. These manuscripts totalling approximately 2,170 pages are as follows: 1) Romanian Folk Music - Vol. 1 Instrumental Melodies, Vol. 2 Vocal Melodies, Vol. 3 Texts; 2) Turkish Folk Music; and 3) Serbo-Croatian Table of Materials. Also, a small group of letters by Bartók and other concerning his association with Columbia University.