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Letters, notes, and manuscripts of Schulze. Also, two volumes of clippings and five volumes of family photographs.

Correspondence, notes, lectures, and clippings of Marguerite Mespoulet, relating to her work and writings on French literature of the 19th and 20th centuries, with special emphasis on Charles Baudelaire, Paul Claudel, and Max Jacob. There are eleven letters and one manuscript"Partage de midi" of Paul Claudel, six letters and seven manuscripts of Max Jacob, and seven letters of Pierre Reverdy.

Papers of Abraham Alstyne Slover, consisting mostly of his undergraduate writings and memorabilia. Included in this material are one volume of notes on Prof. John McVickar's lectures on "The History of Literature" March-July 1825, seven notebooks of Slover's verse and prose, and the manuscripts of several public lectures with newspaper accounts of them. There is also a family Bible containing genealogical records, chiefly births, marriages, and deaths in the 18th and 19th centuries.

Lecture notes and bibliographical lists of Thorndike, covering the courses he taught at Western Reserve, Northwestern, and Columbia Universities. These include material on Shakespeare, Victorian Literature, Romantic Literature, Elizabethan Theater, and the Classical Period of English Literature. Also, an extended series of lectures entitled "Lecture Notes on English Literature.".

Correspondence and manuscripts including the typescripts and drafts of BITTER FORFEIT, THE DEEPENING YEAR, ISLAND NOON, RUNNER OF THE MOUNTAIN TOP, SKIPPER RILEY, and STRONG WINGS. The correspondence relates mainly to the publication of her novels and short stories. Also, lecture notes, clippings and reprints, photographs, business papers, and memorabilia.

Files and records of Professor Cosenza, for his monumental work, BIOGRAPHICAL DICTIONARY OF THE ITALIAN HUMANISTS AND OF THE WORLD OF CLASSICAL SCHOLARSHIP IN ITALY, 1300-1800. Also, his notes on Petrarch, the Italian Renaissance, and the Italian Humanists.

Correspondence, papers, manuscripts, documents, photographs, and printed materials. Much of the correspondence concerns his American teaching and lecture engagements, primarily at the University of Louisville. There are also letters from his colleagues in France, including Françoise Van Rossum-Guyon, with a copy of her Introduction to an edition of Balzac's LE PÈRE GORIOT with Butor's critical letter for the publisher. There are critical and biographical manuscripts about Butor, and several printed works, each inscribed with a note by its author.