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Evan J. Tudor furniture and interior design drawings and papers, 1908-1956

5 print boxes
Abstract Or Scope

The collection includes mostly drawings for Tudor's furniture designs and are arranged by drawing number. Notable projects include the design of the Interchemical Corporation offices, in collaboration with Robert Meyer, as well as the Vanadium Corporation of America offices. The collection also includes 9 sketchbooks. Sketchbooks #1-7 and #9 consist of drawings made by Tudor while likely an apprentice. Sketchbook #8 contains drawings made while working for White, Allom & Co. Notable clients include "Dr. A", "R.G.L." The scrapbook contains clippings and photographs presumably from his professional practice as some of the photographs are labeled "E.J. Tudor." Notable projects include the Rolling Rock Club (Pennsylvania), Dixon House (unknown location), Hampton Court (England), Whitemarsh Hall (England), Mellon Institute (Pittsburgh) and Henry C. Frick (New York). Other papers include correspondence related to the design of the Interchemical Corporation offices, collected print material, 21 photo negatives depicting various travel sites and 13 color charts arranged by manufacturer. The collection also contains lantern slides, which were used by Tudor to teach interior design at New York University. The slides show architectural views and details particularly English, French and American designs as well as interior views, details and furniture.

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Taliesin Associated Architects architectural drawings and records, 1959-1991

400 linear feet
Abstract Or Scope
The collection includes the project files and architectural drawings of the Taliesin Associated Architects, the firm that was established after the death of Frank Lloyd Wright in 1959. Projects include commissions that were left on Wright's desk at the time of his death as well as independent commissions and renovation work. Over 1,000 architectural projects are represented either in the paper records, the architectural drawings, or both.

Avery Library Vertical File, 1910s-1970s

16 linear feet
Abstract Or Scope

The materials that comprise the Vertical File have been collected and added to from a variety of sources by former Avery Librarians. The vertical file contains clippings, pamphlets, reprints, and other miscellaneous materials relating to persons, places, organizations, and topical subjects relating to architecture, housing, and city planning. The purpose of the vertical file was to arrange and store small items, memorabilia, and ephemeral material on a variety of topics to facilitate access by researchers. For the most part, the vertical file contains printed items only. Manuscript material and other unique items were, generally, not placed in the vertical file. In some cases, manuscript material has been removed from the Vertical File and placed in its corresponding collection.

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Eleanor Pepper architectural records and papers, 1891-1997, bulk 1920-1990

33 document boxes
Abstract Or Scope
Eleanor Pepper was a pioneer in the field of interior design, running one of the first departments of interior design in an architecture office before opening her own practice in 1950. The collection contains papers related to Eleanor Pepper's professional and academic lives, and includes some personal papers, mostly in the form of resumes and biographical sketches.
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Interior Design, 1961, undated Box 21, Folder 21

Taliesin Associated Architects projects in Iran : architectural drawings and records, 1968-1980

8 document boxes
Abstract Or Scope
This collection is composed primarily of the projects (built or unbuilt) that Taliesin Associated Architects (TAA) conducted in Iran in collaboration with Nezam Amery and his office NAKK spanning from 1965 to 1979. The collection includes final and working project drawings, correspondences, contracts, estimates, calculation, photographs, and additional papers. It also includes records of litigation after 1979 in the United States Courts. While the time of the projects overlaps, the series are arranged chronologically based on the dates each contract was signed.
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Peter Blake architectural records and papers, 1910-2006, bulk 1980-2002

22 manuscript boxes
Abstract Or Scope

This collection contains materials related to a full range of Blake's personal, professional, and academic lives. The bulk of the collection dates from the 1980s through the early 2000s. His professional and faculty papers document many of his interests, and primarily include published and unpublished lectures and articles. Although Blake delivered his lectures at various architectural schools in the United States and abroad, the specific locations of the lectures are not usually recorded on the documents. In addition, many articles he wrote for publication appear as annotated typescripts. There are also significant papers related to publication of his memoir No Place Like Utopia (Knopf, 1993), including correspondence and some production records. Throughout the professional and faculty papers are also found a large number of reference files relating to modern architecture, art, design, urbanism, technology, and current events, compiled over many decades. The collection also contains correspondence with personal friends, clients, and professional and academic colleagues. There is an especially significant amount of correspondence and clippings related to Patwant Singh, a Sikh writer, commentator, journalist, editor, and publisher, with whom Blake was a close friend. There are also many materials including correspondence, typescripts, and book production records related to Philip Johnson and Paul Rudolph, with whom Blake was also close. Architectural project records include original and reprographic drawings and photographs for 40 residential and institutional designs, located primarily in New York City and the surrounding region. Of particular note are drawings and papers related to Blake's important Pin Wheel House (1954) in Water Mill, New York. In addition, there are drawings related to the American National Exhibition in Moscow (1959). Finally, there is a significant number of drawings, photographs, and correspondence related to the Benjamin Gerson Residence (1999-2003) in Johnsonburg, New Jersey, one of Blake's last architectural projects.

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Edgar Tafel architectural records and papers, 1919-2005

30 linear feet
Abstract Or Scope

This collection documents the life and career of Edgar Allen Tafel: New York architect, Frank Lloyd Wright historian, and one of the original apprentices of the Taliesin Fellowship from 1932. The collection primarily documents Tafel's professional activities and his later independent architectural career which was most prominent from 1965-1985. The collection is made up of nine series: Personal Papers, Correspondence, Writings, Professional Papers, Office Records, Project Records, Photographs and Slides, Audio-Visual Material, and Printed Material.

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George Cserna photographs and papers, 1937-1978

10,260 photographic items
Abstract Or Scope

This collection is photograph archive of the works of architectural photographer George Cserna. Images include interior and exterior shots of prominent New York buildings primarily during the 1960s. The collection has been arranged alphabetically by the client or architect of the building. Some of George Cserna's most notable work in this collection includes photographs of Ulrich Franzen's Agronomy Building, Emerson Hall, and Goddard Library at Cornell University; Haines, Lundberg, and Waehler's U.S. Trust Building and Schering-Plough Headquarters; Victor Lundy's I. Miller Store and IBM Headquarters; and I. M. Pei's John Hancock Tower, Mount Royal Bank and Ville Marie Complex, and MIT Chemistry Building. The collection also contains photographs of exhibitions and openings at the Museum of Modern Art in the 1960s and 1970s, such as The Responsive Eye and Toward a Rational Automobile. Finally, the collection has photographic portraits of notable persons including John dos Passos, W.H. Auden, and William Faulkner.

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Faculty, Staff, and Visitor Biographical Files, 1889-2010

23.8 Linear Feet
Abstract Or Scope
This collections consists of biographical information on select members of the faculty, staff, and visitors to the college gathered by the Barnard College Archivists.
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Center for US-China Arts Exchange records, 1956-2019, bulk 1977-2003

102 Linear Feet
Abstract Or Scope
This collection of records document the institutional history of the Center for US-China Arts Exchange, established in 1978. Under the directorship of professor and renowned composer Chou Wen-chung, the Center is a not-for-profit organization that connected arts professionals from the US and China through a spectrum of curated programs, conferences, and research trips. Bulk dated between 1977 and 2003, materials in this collection consist of correspondence, reports, photographs, printed materials, as well as audiovisual items. The collection serves as important material evidence that help to tell the recent history of cultural communications among individuals and organizations across the Pacific.
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