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Correspondence, manuscripts, photographs, drawings and subject files primarily relating to Vladimir Visson's years as exhibitions director of the Wildenstein Gallery. The extensive subject files concern the Hallmark Art Award and exhibitions Visson mounted for the Wildenstein Gallery including shows on Gauguin, Pissarro, Renoir, Toulouse-Lautrec and Van Gogh. Also included are Visson's original manuscripts on Russian painters and autobiographical writings. There is correspondence from artists including Eugene Berman, Amédée Ozenfant and Eugene Speicher, and authors such as John Gunther, Paul van Zeeland and Louis Auchincloss.

Correspondence, manuscripts, documents, notebooks, memorabilia, a tape cassette, photographs, and printed materials. The collection is primarily correspondence files, both personal and professional, along with book reviews, awards and diplomas, letters of condolence on his death, clippings, and correspondence, manuscripts and printed materials relating to THE STREAM OF HISTORY. The correspondence relates specifically to the third edition. The manuscripts are typed and holograph inserts for the third edition and possibly for the second edition as well. Among the manuscripts are twenty-two notebooks containing holograph notes and drafts of chapters. The printed material consists of one copy of THE STREAM OF HISTORY, 1934 edition.

Correspondence, manuscripts, dispatches, documents, clippings and other printed materials concerning his career as an editor and correspondent for the New York Herald Tribune in Moscow, Berlin and New York, as a staff member of the Institute of Pacific Relations from 1932 to 1934, as deputy director in the Office of War Information overseas branch, 1941-44, as an owner and editor of the New York Star, 1948-49, as an instructor in communications at Sarah Lawrence College, 1950-1951, as a book editor at Simon and Schuster, Publishers, 1951-1970, and as an author and translator.