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Three letters from Ivan Alekseevich Bunin and two letters Aleksandr Tikhonovich Grechaninov to Andrei Grigor'evich Blok.

The collection consists largely of letters to Gunst from other Russian emigre musicians, including Nikolaĭ Cherepnin, Aleksandr Glazunov, Aleksandr Grechaninov, Nikolaĭ Medtner, and Sergeĭ Rakhmaninov. Other items include a photograph of Aleksandr Skri︠a︡bin's funeral procession, performance programs, and printed material relating to the Russian conservatory in Paris.

The papers include correspondence, manuscripts, documents, printed materials and photographs -- most of which principally concern Fedor Shali︠a︡pin. There are twelve letters and postcards from Shali︠a︡pin, and one or two items each from Aleksandr Grechaninov, Olǵa Knipper-Chekhova, and Sergeĭ Rakhmaninov. There are manuscripts by Strakhova-Ermans, entitled "Vospominanii︠a︡ starogo professora penii︠a︡" and "Penie: Ego tekhnika i iskusstvo." There are photographs of Shali︠a︡pin in his operatic roles and with his family; and photographs of Olǵa Knipper-Chekhova, Aleksandr Glazunov, and of Sergeĭ Rakhmaninov and Aleksandr Grechaninov (with the faculty of the Russian Conservatory in Paris). Printed materials include programs of concerts by Shali︠a︡pin and others, and a copy of Strakhova-Ermans' book, "Le chant"(1946).

The collection contains correspondence, manuscripts, clippings, books and periodicals. There are two letters from Aleksandr Glazunov and one each from Aleksandr Grechaninov and Nikolaĭ Metner. The manuscripts deal with both cultural affairs and the Russian Revolution. Among the cultural topics are essays on music, Isadora Duncan, Maksim Gorḱiĭ and literary affairs. There are articles about general aspects of the Revolution and about such individuals as Lenin, Stalin, Chicherin, Dzerzhinskiĭ and Kamenev. Many of the articles are memoiristic in nature, particularly those about life in Moscow and in the provinces during the Revolution, Dzerzhinskiĭ and Kamenev. There are clippings of articles written by Sabaneev and a number of books and periodicals either written by Sabaneev or containing articles by him.

The collection includes correspondence from Konstantin Balḿont, Nikolaĭ Evreĭnov, Zinaida Gippius, Georgiĭ Grebenshchikov, Vasiliĭ Maklakov, Sergeĭ Potresov and Nadezhda Teffi. There is one letter each from Boris Bakhmeteff, Vera Bunina, Aleksandr Grechaninov, Aleksandr Kuprin and Alekseĭ Tolstoĭ. The manuscripts include poems and a play scenario by Nadezhda Teffi as well as Roshchina-Insarova's autobiographical essays and article about Sergeĭ Lifar.́ In addition, there are three scrapbooks containing clippings and programs of Roshchina-Insarova's performances, and approximately 40 photographs of her.

Letters to and from Nicolai Berezowsky documenting his career and covering his development as violinist, conductor, and composer. The profession is well represented in the correspondence, with 63 letters from David Diamond, 22 from Serge Koussevitsky, 72 from Nicolai Lopatnikoff, and 31 from Eugene Ormandy; others in the collection are Leon Barzin, Aaron Copland, Henry Cowell, Vladimir Golschmann, Eugene Goosens, Alex Grechaninov, Ernest Hutcheson, Douglas Moore, Paul Nordoff, Wallingford Riegger, Artur Rodzinski, Roger Sessions, Harold Spivacke, Leopold Stokowski, and Olga Samaroff Stokowski. Organizations, such as the WPA music program, League of Composers, Juilliard School of Music, and the American Society of Composers, Authors, and Publishers, are represented. There are also 15 volumes of music scores.

The papers of Il'ia Grigor'evich Savchenko (1889-1961). The collection consists of correspondence, manuscripts, photographs, caricatures, and materials relating to a number of Russian émigré organizations. The materials relating to émigré organizations include correspondence, financial records, and mimeographed textbooks prepared by the professors of the Russkii iuridicheskii fakul'tet v Prage (Russian Juridical Institute in Prague), and correspondence and printed materials of the Soiuz ob"edinenii russkikh okonchivshikh vysshie uchebnye asvedeniia (OROVUZ; Union of Societies of Russians Who Have Graduated from Institutes of Higher Education), which Savchenko headed. In addition, there are materials relating to other émigré groups in Europe and the United States with which Savchenko was associated.

A collection of 268 Russian and early Soviet music scores published from 1904 to 1938. Numerous composers and lyricists (primarily Russian but also European and American) are represented. Most scores were published in Moscow or Leningrad. Other imprints include Rostov-na-Donu, Kiev, Kharʹkov, and Tiflis. Most scores are popular music, jazz or dance music. The covers were designed by many different artists. The collection includes musical settings of poems by Esenin, Lebedev-Kumach and Mayakovsky among others.