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McKim Mead & White architectural records and drawings, 1879-1958

400 drawings
Abstract Or Scope

Architectural drawings and photographs of buildings designed by the firm dating approximately from its founding to the 1950s. Among those represented are buildings at the World's Columbian Exhibition, Chicago, 1893; Pennsylvania Railroad Station, New York, 1906-1910; restoration, 1903, of the White House, Washington, D.C.; buildings at Columbia University's Morningside Heights campus, New York; Boston Public Library, Boston, Mass.; E.W. Morgan mansion; Municipal Building, N.Y.; Col. Elliott Shepherd House, Scarborough, N.Y.; buildings at Amherst College, Amherst, Mass.; Bellevue Hospital, New York; various New York City residences; and others. Also included are competition drawings for the New York Public Library; miscellaneous drawings and sketches; photographs of the partners and of other members of the firm; lists of the firm's work; clippings of articles about the firm; lists of the firm's employees; billing records, 1953-1955; account books, 1940s-1950s; bank books, 1895-1955; award certificates; and other office miscellany.

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Harvey Wiley Corbett architectural drawings and papers, 1914-1949

1786 items
Abstract Or Scope
Harvey Wiley Corbett (1873-1954) was an American architect primarily active in New York City but also completed projects across the United States and in London. While known for his work on early skyscraper architecture, his work also includes banks, churches, educational campuses, government buildings, housing projects, and large memorial projects like the George Washington Masonic National Memorial (Alexandria, VA). His most well-known projects include Rockefeller Center (Corbett served as a senior architect on the project), the Criminal Courts Building (Centre Street, NY), and Bush Tower (East 42nd Street, NY). Alongside his prolific career, Corbett was also engaged in the theoretical elements of the evolving American city. This can been seen through his commissioning of Hugh Ferriss for the creation of the set of drawings now known as the "Metropolis of Tomorrow," which questioned the results of the contemporary zoning laws of New York City. This collection reflects the breadth of Corbett's work and interests and while it primarily consists of photographs of his many projects, the collection also encompasses a small portion of professional papers and reference material. Beyond the bulk of photographs, there are drawings, correspondence, notes, clippings, postcards, daily calendar entries, a portfolio, photo albums, publications, and financial and legal records.
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