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Gregory Mosher papers, 1938-2002, bulk 1967-2002

26 linear feet
Abstract Or Scope
Gregory Mosher is an American theater director and producer. He led the Goodman Theatre in Chicago and later was asked to head the theater at Lincoln Center in New York City. Mosher was at Lincoln Center from 1985-1992. While there, he launched an innovative production schedule and implemented a new marketing scheme that replaced the traditional subscriber arrangement. Under Mosher, the theater flourished. He eventually left Lincoln Center and went on to lead the Arts Initiative at Columbia University. Currently, Mosher is a professor at Columbia's School of Arts. The collection consists of production files and correspondence from Mosher's time at the Goodman Theatre and Lincoln Center as well as for productions later in his career. In addition, there are plays as well as notebooks, appointment books, and videocassettes.
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William Friedberg papers, 1950-1965

5.72 linear feet
Abstract Or Scope
William "Billy" Friedberg (1916-1965) is best remembered as a television comedy writer, although he also wrote plays, musicals, variety reviews, short stories, and radio programs. Among his best-known works are episodes of "Car 54, Where Are You?", "As Time Goes By", and "The Phil Silvers Show". Friedberg's work represented in this collection spans many genres, including comedy review sketches, TV dramas, short stories, plays, and musicals.
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Margaret Brenman-Gibson papers, 1940-1999, bulk 1963-1981

18 linear feet
Abstract Or Scope
Margaret Brenman-Gibson was a Harvard professor of Psychiatry. In 1981, she published a biography of American playwright Clifford Odets, entitled Clifford Odets - American Playwright: The Years from 1906-1940. Brenman-Gibson and her husband, William Gibson, also a playwright, lived and worked in Stockbridge, Massachusetts. The collection consists of Brenman-Gibson's research files for her work on the Clifford Odets biography. It contains chronological notebooks, which outline each year of Odets' life, as well as correspondence, interviews, and interview transcripts with friends, relatives, and acquaintances of Odets. The collection also contains copies of correspondence, diaries, and notes from Odets. A small portion of the collection consists of personal correspondence between Brenman-Gibson, William Gibson, and Clifford Odets.
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Tennessee Williams papers, 1920-1983

160 linear feet
Abstract Or Scope
A large and important collection of the correspondence, memoirs, and plays of Tennessee Williams. The collection is especially strong in the later works.
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Samuel and Bella Spewack papers, 1920-1980

67 linear feet
Abstract Or Scope

Correspondence, manuscripts, playscripts, screenplays, diaries, documents, contracts, financial records, photographs, phonograph records, motion pictures, playbills, posters, sheet music, cartoons, art work, memorabilia, scrapbooks, and printed materials. . The collection consists chiefly of correspondence and production files relating to the creation, production, and performance of their works for stage, screen, radio, and television, such as Leave It To Me and Kiss Me Kate (with music by Cole Porter), Boy Meets Girl, and My Three Angels. Correspondence (with twentieth century authors, playwrights, musicians, political figures, and actors) includes: George Abbott, Jean Arthur, Bennett Cerf, Katharine Cornell, Jo Davidson, George and Ira Gershwin, Alec Guinness, W. Averell Harriman, Lilli Lehmann, Mary Martin, Laurence Olivier, Mary Pickford, Cole Porter, Regina Resnick, Eleanor Roosevelt, Robert E. Sherwood, Lincoln Steffens, Kurt Weill, Rebecca West, and Thornton Wilder. There is also correspondence concerning Bella Spewack's work with the New York Girls' Scholarship, UNRA, and the Sports Center of Israel. In addition to the production files, there are manuscripts and typescript drafts for novels, short stories, and articles by the Spewacks.

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