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The collection consists of the editorial and production archives of Random House, Inc. from its founding in 1925 to the 1990s. The correspondence and editorial files include many of the prominent novelists and short story writers from 20th-century American and European literature: Saul Bellow; Erskine Caldwell; Truman Capote; William Faulkner; Sinclair Lewis; André Malraux; Gertrude Stein and Thornton Wilder. Among the poets there are files for W. H. Auden; Allen Ginsberg; Robinson Jeffers; Robert Lowell; and Stephen Spender. In the area of theater there are files for Maxwell Anderson; Moss Hart; Lillian Hellman; Eugene O'Neill; and Tennessee Williams. Random House transacted business with many fine presses and noted typographers and the archives contain files for Nonesuch Press, Grabhorn Press and Golden Cockerel Press, as wll as for Bruce Rogers, Valenti Angelo, and Edwin, Jane, and Robert Grabhorn.

The files of Curtis Brown, Ltd. literary agency include correspondence with authors, publishers, and other agents and deal with the editing and publishing of trade and textbooks, serial rights, reprints, dramatic rights, translations and foreign rights, promotion and copyright registration. For each author there are contracts, royalty statements, tax statements, and other financial materials. There is also a contract file, including cancellations and related correspondence, from 1914 to 1988. Among the cataloged correspondents are: Louis S. Auchincloss, W.H. Auden, Erle Stanley Gardner, Robert Graves, Ogden Nash, Ayn Rand, and Sloan Wilson.

Correspondence, manuscripts, documents, photographs, and printed materials by and about John Howard Griffin. The correspondence is extensive and includes letter from Jacques Maritain; Thomas Merton; Maxwell Geismar; Eldridge Cleaver; Robert Casadeus; Abraham Rattner; P.D. East; Joseph Noonan; Sarah Patton Boyle; Lillian Smith; Father August Thompson; Nell Dorr; and Brother Patrick Hart. All of his major works are represented in manuscript form (usually typescript, carbon). In addition there are many original photographs by Griffin, which he pasted throughout his extensive journal, 1950-1980. This journal is a remarkable account of his life and thoughts, extending to over 3,000 pages.