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116-page document, apparently compiled by the US Embassy in Moscow for the benefit of its personnel who might be attending performances of the Bol'shoi Theater as official guests. It gives a synopsis of all the performances, most of which are Russian works.

The papers consist of correspondence, manuscripts, subject files, financial records, photographs, and printed materials. Among the correspondents are Ivan Bilibin, David Burli︠u︡k, Franz Theodor Csokor, Vasiliĭ Kamenskiĭ, and Percival Wilde; there is one item each from Jean Anouilh, Collete, Mikhail Fokine, Vasiliĭ Kandinskiĭ, Vladislav Khodasevich, Pavel Mili︠u︡kov, and Dmitriĭ Merezhovskiĭ. Most of the manuscripts are by Evangulov and Nadezhda Teffi, and memoirs by Evreĭnov's wife, Anna Aleksandrovna, on such topics as her career in the emigration from 1925. There are photographs of Evreĭnov, Nikolaĭ Rimskiĭ-Korsakov, and Vasiliĭ Kamenskiĭ. This collection is almost entirely concerned with the emigration.

Correspondence, manuscript music scores, copies of scores, playscripts, scenarios, watercolor drawings and other stage designs, contracts, legal papers, programs, clippings and other printed materials, microfilms, records, tape recordings, and photographs. Among Moross's work are the musical play, "The Golden Apple"(1954), dance music for "Ballet Ballads"(1945) and for "Frankie and Johnny"(1938), the film score for "The Big Country"(1958) and for "The Cardinal"(1963), and his Symphony No. 1 (1943). There are some financial papers and production records for the staging of his works. Among the cataloged correspondents are Aaron Copland, Agnes George De Mille, Ned Rorem, Virgil Thomson, and Thornton Wilder.