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Manuscripts, galley proofs, and page proofs of W.H. Auden's COLLECTED SHORTER POEMS 1927-1957 (Faber and Faber, 1966) all of which contain his corrections in ink. The manuscript of the book is comprised of typewritten and printed pages, which taken together are a mock-up of the entire book. There are also galley proofs and page proofs.

The collection includes correspondence with publishers and literary figures; Yanovskii's diaries; drafts, manuscripts and typescripts of literary works by Yanovsky and others, subject files, photographs, records of interviews, and printed materials.

This is a collection of letters, manuscripts, notes, cards, etc. removed from books in Josph Brodsky's working library. There are no letters by Brodsky. The books have been cataloged.

The Elisabeth Sifton Papers span much of Mrs. Sifton's working life. General correspondence is filed alphabetically by last name and includes correspondence related to the day-to-day business of publising, as well as correspondence related to projects ultimately not realized by Mrs. Sifton. Author-specific files deal with projects that Mrs. Sifton worked extensively on. Some files lack information that remains in the archives of the publishing house where the project was completed. Work life files deal with involvement in various professional associations, classes taught by Mrs. Sifton, and some of Mrs. Sifton's own published writing.

Correspondence, manuscripts, and miscellany relating to the presentation of poems at a Shakespeare's Birthday Concert on 23 April 1972, by a number of British poets including W.H. Auden, C. Day Lewis, Robert Graves, and Stephen Spender. The collection consists primarily of correspondence with the poets involved; several manuscripts of poems both presented at and eliminated from the program; some business correspondence of the Globe Playhouse Trust and Calder and Boyars, Ltd., Publishers; and Hampton's notes.

Letters, manuscripts, galley proofs, page proofs, art works, and printed materials of Auden, including three postcards to Geoffrey Grigson, one of which relates to galley proofs for Auden's poems included in THE YEAR'S POETRY, 1937. There are manuscripts, galley proofs, and page proofs of COLLECTED SHORTER POEMS 1927-1957 (Faber and Faber, 1966) all of which contain his corrections in ink. The manuscript of the book is comprised of typewritten and printed pages, which taken together are a mock-up of the entire book. Also, a pencil sketch of Auden by Terry Durham, a silkscreen portrait by Meyer F. Lieberman, and a portrait head cast by Olaf de Wett. There is also the manuscript and proofs of MARKINGS by Dag Hammarskjöld, translated from the Swedish by Leif Sjöberg and W.H. Auden; the libretto and score of PAUL BUNYAN by Auden and Britten; five letters from Auden to Norman Loftis criticizing Loftis' poetry; two letters from Auden to Patrick Anthony Lawlor; and four letters from Auden to Olive Mangeot.

Correspondence, manuscripts, and documents gathered by Carpenter in writing his W.H. AUDEN: A BIOGRAPHY, including correspondence and recollections of Auden from friends and acquaintances, and the typescript of Carpenter's first draft of the book. Correspondents include Sir Cecil Beaton, Sir Isaiah Berlin, Christopher Isherwood, Sir Peter Pears, Frederick Prokosch, Sir Sacheverell Sitwell, and Stephen Spender.

Letters, manuscripts, and books, including four letters from MacNeice to the poet and editor, Geoffrey Grigson. The manuscripts, either by or about MacNeice, include ten of his last poems. Five of these have been published in SOLSTICE, 1961, and four in THE BURNING PERCH, 1963. Drafts of the first group of poems were written in a personal notebook used by the poet while he worked for the British Broadcasting Corporation. In another similar notebook is a partial draft of his play "The Administrator." Both notebooks are in the collection. Also, an untitled, unpublished poem of seven stanzas"Tingling [born] the burning island" written on the reverse of a map. Works about NacNeice include manuscripts of a memoir and a radio portrait by Robert Pocock. The portrait has poignant comments and personal reminiscences by twenty of the poet's contemporaries, including John Betjeman, Anthony Blunt, W.H. Auden, E.R. Dodds, Stephen Spender, and others. Both Auden and a literary coterie of Spender, Betjeman, William Empson, and Cyril Connoly taped disucssions of MacNeice and his poetry. Also, thirty-eight books that were in MacNeice's personal library. Most are autographed by him, and many have marked passages and marginal notes. One of the books, Euripides' ALCESTIS AND OTHER PLAYS, is heavily annotated, apparently for a broadcast production.