Collections : [Rare Book & Manuscript Library]

Rare Book & Manuscript Library

Rare Book & Manuscript Library

6th Floor East Butler Library
535 West 114th Street
New York, NY 10027, USA
rbml@library.columbia.edu
The Rare Book & Manuscript Library is Columbia University’s principal repository for special collections. We collect, preserve, describe, promote, and provide access to the material evidence of diverse individuals and activities in alignment with the University’s research and teaching mission. We build and steward deep collections in select subject areas and connect them to a global audience through reference, teaching, exhibitions, publications, and public programs.

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Meyer Schapiro papers, 1919-2006

400 linear feet
Abstract Or Scope
This collection encompasses the professional, personal, and artistic life of art historian Meyer Schapiro.
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Edith Schloss Burckhardt Papers, 1962-2011

35 linear feet
Abstract Or Scope

The Edith Schloss Burckhardt Papers offer an extraordinary opportunity for research into multiple areas of scholarship, especially unique insight into the lives and experiences of women in the art world, an American artist's expat life in Rome from the 1960s-2010s, the New York School of painters and poets, and a particularly rich and far-reaching, vein of the avant-garde and experimental music world, to name a few.

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Arthur Coleman Danto manuscripts, 1958-2011

7 linear feet
Abstract Or Scope

These book manuscripts include the corrected typescripts of: "Analytical philosophy of action" (Cambridge University Press, 1973); "Analytical philosophy of knowledge" (Cambridge University Press, 1968); "Jean-Paul Sartre" (New York, Viking, 1974) with a.ms. & galley proofs; and "Nietzsche and morality" (New York, Macmillan, 1965).

3 results

Rudolf and Margot Wittkower papers, 1916-1995

19.5 linear feet
Abstract Or Scope

Working files of the architectural historians Rudolf and Margot Wittkower, dealing with Baroque and Renaissance painting, sculpture, and architecture. Included are manuscripts, notes, drawings, annotated proofs of articles and books, and some correspondence related to his writings and lectures. The majority of the files document his teaching, research, and writing at the University of London, 1934-1955, and at Columbia University. There are also some manuscript notes from his early years in Italy and Germany. Series I has been divided into six parts: Artists, Subjects, Book Manuscripts, Proofs, Notes, and Printed Materials. Some of the major files are Bernini, Bramante, Carracci, Michelangelo, and Raphael (Artists); Baroque Painting, Patronage, Rome, St. Peter's, Slade Lectures on the history of art (Subjects); ART AND ARCHITECTURE IN ITALY, BORN UNDER SATURN, and MATTHEWS LECTURES: GOTHIC VS. CLASSIC (Book Manuscripts). In addition there are proofs of essays and reviews with manuscript corrections and emmendations, copies of several of his own published works with his manuscript corrections, and typescript insertions for new editions. The Notes consist of eight card file boxes with notes chiefly relating to the Baroque period and Bernini. Materials created by or related to Rudolf Wittkower's wife, the architect and interior designer Margot Holzmann Wittkower, can be found primarily in Series II, IV, V, and VI. Material created or maintained solely by Margot Wittkower is located in Series VI; however, material she shared with Rudolf Wittkower is located in Series II, IV, and V.

Arthur C. Carr papers on Robert Indiana, 1952-1991

0.5 linear feet
Abstract Or Scope

Correspondence, a woodblock print, a typescript about Robert Indiana, photographs, and printed materials. There are 35 letters, post cards, and other correspondence from Indiana to Carr; his woodblock print on a Christmas card; 20 photographs of his paintings, and printed announcements and articles about Indiana. There is also some miscellaneous correspondence about the artist Ernest T. Trova

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Roland Rood papers, 1910-1927

6 boxes
Abstract Or Scope

A collection of notes and manuscript drafts of studies made by Rood, concerned with the theory and practice of painting, art criticism, esthetics, and related subjects. Some of the results of these studies were published in 1941 under the title, COLOR AND LIGHT IN PAINTING.

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Bernard Berenson letters, 1935-1949

0.5 linear feet
Abstract Or Scope

Fifty-eight letters, including three fragments of letters, from Berenson to Prince Paul of Yugoslavia (1893-1976), 1935-1949. The letters deal with art and esthetics, travel, international affairs, and the personal lives of Berenson and Prince Paul. All are autograph and signed with initials. Included are a postcard photograph of Berenson at ages twenty-one and seventy-one, and an autograph letter from Arthur Bliss Lane to Prince Paul.

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John Ruskin letters to George Allen, 1859-1889

7 Volumes
Abstract Or Scope

Letters from John Ruskin to his friend and publisher, George Allen. A note in front of volume I states that "Ruskin wrote in all over 1,300 letters to George Allen" of which these are a part. The men were close friends and the correspondence contains both personal matter and that relating to artistic and business matters.

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Ripley Hitchcock papers, 1885-1935

25 boxes
Abstract Or Scope

Letters written to James Ripley Wellman Hitchcock, to Mrs. Hitchcock, and to Richard Henry Stoddard from various people in literary artistic and dramatic circles, mainly of New York. There are letters and documents relating to Hitchcock's early life, photographs, a group of materials relating to the American Art Alliance in which Mrs. Hitchcock was interested, and a group of miscellaneous papers and letters relating to the publication, dramatization, filming, and radio rights of Edward N. Westcott's DAVID HARUM which Mr. Hitchcock was instrumental in having published. Also, manuscripts and printed versions of Charles Chapin Sargent, Jr.'s (brother of Hitchcock's second wife, Helen Sargent Hitchcock) writings including short stories and a libretto for an operetta "Cleopatra" written for the Columbia College Musical Society in 1897, two scrapbooks containing mementos of his college years, two pictures, and a Columbia College diploma.

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W. J. Strachan letters, 1954-1992

0.5 linear feet
Abstract Or Scope

Strachan's correspondence with his primary publisher, Peter Owen of London relates chiefly to the nuts and bolts of translation and publication. The translations that are the subject matter of the letters are of Hermann Hesse, Caesar Pavese, Marc Chagall, Jean Cocteau, and Julien Gracq. The majority of the letters are accompanied by retained copies of the replies of Peter Owen. Included is Owen's correspondence with the American publisher George Wittenborn.

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