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Wallach Art Gallery Records, 1985-2017
17.25 linear feetJames S. Russell papers, 1981-2005
9 document boxesHarvard Design Magazine, ""Fading Photographs: on the role of architectural photography as a portrayal of architectural expression", 1998 Fall Box 7, Folder 14
- Highlight
- Harvard Design Magazine, ""Fading Photographs: on the role of architectural photography as a
- Abstract Or Scope
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Drafts and correspondence
C. D. Arnold photographic collection, 1892-1901
102 photographsThe Charles Dudley Arnold photographic collection is composed of three parts. The first is a collection of 47 platinum print photographs showing views of the Columbian Exposition. These photos were formerly mounted in an album from the library of McKim, Mead & White, architects. This album was v.10 of a 14 volume "collection of albums of photographs, illustrations from periodicals, clippings and sketches depicting works of the firm," now in Avery Classics at AA 712 M195.
Architecture of the United States : photographic prints, 1975-1980
.5 linear feetCollection contains large-scale black and white photographic prints taken by G.E. Kidder Smith of historic and contemporary buildings in 32 states.
Nineteenth-Century international photographs, 1870-1900
195 photographsThis collection contains primarily landscape and cityscape views primarily taken by professional photographers at international sites during the last quarter of the 19th century.
Morris Lapidus photograph collection, 1929-1992
276 photographs276 photographs of Lapidus' work.
Joseph W. Molitor architectural photographs, 1935-1985, bulk 1946-1980
10,000 photonegativesThe bulk of this collection consists of more than 22,000 black and white photographic negatives and more than 10,600 black and white photographic prints documenting commercial, institutional, religious, and residential architecture throughout the United States, with particular emphasis on sites in the mid-Atlantic region. These images date from the mid-1930s to Molitor's retirement in the mid-1980s, with the great majority of images created between 1946 and 1980. Also included in the collection are images of landscapes, industrial design, portraits, and events of personal significance to Molitor. In some select cases, color prints, color negatives, color transparencies, and 35mm slides are also available in addition to or instead of the black and white negatives and prints. Researchers are also advised that documents in this collection indicate that when faced with a lack of storage space in 1973, Molitor contacted clients to return inactive negatives that they had comissioned before 1955. In at least some cases, those clients declined to accept their negatives and Molitor subsequently destroyed the images. Thus, this collection has lacunae in the negatives series.
Richard H. Dana photograph collection, 1920-1931
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