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Meyer Schapiro papers, 1919-2006

400 linear feet
Abstract Or Scope
This collection encompasses the professional, personal, and artistic life of art historian Meyer Schapiro.
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The unity of Picasso's art -- Albright-Knox Art Gallery -- Annotated transcript, 1973 December 5 Box 216, Folder 4

Carnegie Corporation of New York, Series III: Grant Records, 1911-1994

1500 linear feet
Abstract Or Scope

The Corporation awards grants to nonprofit organizations and institutions for projects that are broadly educational in nature and that show promise of having national or international impact. Certain appropriations are made for activities, such as Corporation-led initiatives that are administered by the foundation's officers. The trustees set the overall policies of the foundation and have final authority to approve all grants above $50,000 recommended by the program staff. Grants of $25,000 or less, called discretionary grants, are made upon the approval of the president and are reported to the board; larger discretionary grants, those between $25,000 and $50,000, are also reviewed by a Corporation-wide group, which makes recommendations to the president. (from Program Guidelines 2003-2004 (http://www.carnegie.org/sub/program/areas.html))

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Edgar Tafel architectural records and papers, 1919-2005

30 linear feet
Abstract Or Scope

This collection documents the life and career of Edgar Allen Tafel: New York architect, Frank Lloyd Wright historian, and one of the original apprentices of the Taliesin Fellowship from 1932. The collection primarily documents Tafel's professional activities and his later independent architectural career which was most prominent from 1965-1985. The collection is made up of nine series: Personal Papers, Correspondence, Writings, Professional Papers, Office Records, Project Records, Photographs and Slides, Audio-Visual Material, and Printed Material.

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Gordon Bunshaft architectural drawings and papers, 1909-1990, bulk 1950-1979

20 linear feet
Abstract Or Scope
Gordon Bunshaft (1909-1990) was an American architect who, as a partner at Skidmore, Owings & Merrill, had a significant impact on large-scale corporate architecture. His projects include such significant urban office towers as the Lever House in midtown Manhattan, as well as modern office campuses set in natural landscapes, including such examples as the American Can Company in Greenwich, Connecticut or the Connecticut General Life Insurance Company headquarters in Bloomfield, Connecticut. Additionally, his interest in art caused him to actively integrate work by well-known modern artists into the public plazas and interiors of SOM's projects. The professional aspects of this collection can be found in clippings, project photography, oral history records, and publications, however, the majority of the collection is personal and reflects the life of Gordon and his wife Nina Bunshaft. Through correspondence, snapshots, objects, and personal papers the collection focuses on the Bunshafts' friends, their travels, and their impressive art collection of both modern and ancient sculptures and paintings.
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Skidmore, Owings & Merrill LLP collection of Ezra Stoller photographs

140 albums
Abstract Or Scope

The collection consists of approximately 140 bound albums of photography by Ezra Stoller featuring buildings and interiors designed by Skidmore Owings & Merrill (SOM) and a small collection of project records. Projects represented include, among others, Albright Knox Art Gallery, American Republic Insurance Company, Banque Lambert, Beineck Library, Chase Manhattan Bank, Connecticut General Life Insurance Company, Ford Motor Company, HJ Heinz Research Center, John Hancock Building, Lever House, Lyndon Baines Johnson Library, and US Airforce Academy.

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